The first parts of this paper are elementary expositions of positions that will be presupposed or alluded to in the arguments of later sections that concern Maritain’s thought. The reader is asked not to feel insulted by being subjected to these initial, all too familiar accounts. This paper is designed
Graham Greene became a Catholic because of a pedantic girl. He was at Oxford at the time, and had written a review of a film for the Oxford Chronicle in which he had referred casually to Catholics’ “worship” of the Virgin Mary. Shortly afterwards he found a note in his
Educational and religious architecture in South Bend from 1900 to the 1930s reflected trends that developed in commercial and residential architecture at the same time. Neoclassical, Gothic Revival, and Georgian Revival are all evident in almost equal measure, with much institutional architecture and landscape design being influenced by the City
Years ago, between college and figuring out my life, I worked on a construction site in Manhattan. There were work crews from all over—the Guatemalan demolition crew, Polish painters, Russian tile guys—all renovating a crummy old building into a boutique hotel. I was on the finishing crew making sure rooms
Some souls seem to bend more easily toward goodness than others. Even in childhood, this disparity haunted me—not simply as a psychological curiosity, but as a theological one. That question eventually led me to study mental health, education, and ultimately, the human psyche as a psychotherapist. For the past several
Milosz, Herbert, and Myself (1956-1967) I have often been asked to describe what it was like to spend an evening relaxing with Czeslaw Milosz and Zbigniew Herbert. But I have a problem, summed up by the old joke that “Whoever says they remember the Sixties wasn’t really there.” The most
There is a goal, but no way.—Kafka It is undeniable that there is an unknown (the geographers of antiquity drew an analogy of this unknown with the famous expression terra incognita with which they marked the edge of their great map). At the margins of reality that the eye embraces,